Sunday, August 18, 2019
Southworths Brilliant Writing Essay -- Biography Biographies Essays
 Southworth's Brilliant Writing      Ã       Few nineteenth-century American women novelists met with success equal to  that      of Emma Dorothy Eliza Nevitte Southworth (E.D.E.N. Southworth). Harriet  Beecher      Stowe, Susan Warner, Fanny Fern, and others certainly sold record numbers of       individual novels; however, E.D.E.N. Southworth's over 40 novels consistently       became best-sellers throughout a 44-year career, making her, over time,  perhaps      the best-selling author, male or female, of her generation. Her stories  entered      into the American consciousness--becoming popular plays, shaping fashion  trends,      developing women's visions of themselves--as well as shaped the image of      "Americanness" in the minds of international readers around the globe. In       particular, Southworth's novels taught the world a vision of the American  woman      that equaled in power and influence James Fenimore Cooper's presentation of  the      American man that so captured international attention. Back at home,  reviewers,      critics, and other novelists either praised or rejected the immense energy of       her writing, her vision, calling her the best novelist of the age or,      conversely, attacking the unladylike exuberance of her prose or themes. Her       primacy forced the literary world to respond--either as lovers or haters.       Southworth's life trials shaped the fiction writer she became. As a woman       repeatedly placed on the margins--by poverty, neglect, social stratification,       status as an abandoned woman--Southworth learned to speak the language of the       dispossessed. In an era when debates over human rights dominated the  political      and social landscape, Southworth wrote fiction celebrating strong independent       women, aboli...              ... to rewrite nineteenth-century literary history to include Southworth,       for she reflected and commented upon the social realities for women in her  time,      argued for human rights for many without voices, and promoted tolerance of       religion, race, and class, and in doing so, captured the imagination of      generations of readers. In her own time, Southworth's voice certainly carried       far, reaching across the country and over the oceans to  England,  France,      Germany, and  Iceland to touch  the hearts and minds of millions. She deserves a      place in literary history, not only for the impact she had on readers, but  also      for the lessons she teaches us about nineteenth-century culture, social      tensions, and gender, class, and race ideology. Southworth stands, then as  now,      as a vital figure in the development of the novel in  America.            Ã                                    
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